A Movement · 1910–1939

Art Deco

Skyscraper spires, sunburst motifs, and lacquered luxury: Art Deco was the sound of the Jazz Age rendered in chrome and ivory, a glamorous marriage of machine-age modernity and old-world craftsmanship that still defines glamour today.

The Deep Dive

Art Deco took shape in Paris in the 1910s as designers associated with the Société des Artistes Décorateurs pushed back against Art Nouveau's fading organic curves in favor of streamlined geometry, symmetry, and rich materials. The style was officially christened at the Exposition Internationale des Arts Décoratifs et Industriels Modernes, held in Paris from April to November 1925, which drew over sixteen million visitors to pavilions from twenty nations and gave the movement its later name — Art Deco, shortened decades afterward from the exhibition's title. Furniture designer Émile-Jacques Ruhlmann's exotic-wood cabinets, René Lalique's glasswork, Cartier's jewelry, and A.M. Cassandre's crisp travel posters translated Cubism, Futurism, ancient Egyptian and Aztec motifs, and the fast pace of the Jazz Age into a luxury vocabulary of chevrons, sunbursts, and stepped forms. The style crossed the Atlantic and reshaped American skylines, most spectacularly in William Van Alen's Chrysler Building (1930), with its stainless-steel sunburst crown, and found expression in ocean liners, cinemas, and consumer products from radios to cocktail shakers. As the Great Depression deepened, Art Deco grew more restrained and increasingly incorporated industrial materials like chrome and Bakelite; by the outbreak of World War II, wartime austerity and the rise of unadorned modernist architecture — championed by figures like Le Corbusier, whose stripped-down pavilion at the 1925 exposition anticipated the shift — had pushed the style into decline. Its glamour resurfaced in a major revival beginning in the 1960s and continues to shape design, film, and luxury branding today.

Defining characteristics

Symmetrical, geometric forms — chevrons, zigzags, sunbursts, and stepped shapesStreamlined silhouettes suggesting speed and modernityRich, exotic materials: ivory, lacquer, exotic woods, alongside chrome and BakeliteStylized, simplified natural and Egyptian- and Aztec-inspired motifsBold vertical emphasis in skyscraper architectureInfluence of Cubism, Futurism, and Ballets Russes stage designApplication across architecture, fashion, jewelry, furniture, and industrial designAssociation with Jazz Age glamour and transatlantic ocean-liner culture

Timeline

1910s
Early Art Deco design emerges in Paris among members of the Société des Artistes Décorateurs, reacting against Art Nouveau.
1922
Émile-Jacques Ruhlmann completes his État Cabinet, exemplifying the movement's use of exotic woods and ivory inlay.
1925
The Exposition Internationale des Arts Décoratifs et Industriels Modernes opens in Paris from April 28 to November 8, giving the style its name.
1925
Le Corbusier's stark L'Esprit Nouveau pavilion at the same exposition signals the coming rise of unornamented modernism.
1928
René Lalique designs Victoire, a glass automobile hood ornament emblematic of Art Deco luxury design.
1930
William Van Alen's Chrysler Building is completed in New York, its stainless-steel spire becoming an icon of American Art Deco.
1933
The Century of Progress World's Fair in Chicago showcases streamlined Art Deco design to American audiences.
1939
The New York World's Fair marks one of the style's last major public showcases before wartime austerity ends its dominance.

Key artists

René Lalique
Glass designer whose luxury objects and car mascots, such as Victoire (1928), epitomized Art Deco craftsmanship.
Émile-Jacques Ruhlmann
Leading French furniture designer known for exotic-wood and ivory-inlaid cabinets shown at the 1925 Paris Exposition.
Tamara de Lempicka
Polish-born painter whose sharply angular, high-society portraits became defining images of Art Deco glamour.
William Van Alen
American architect of the Chrysler Building (1930), New York's quintessential Art Deco skyscraper.
A.M. Cassandre
French graphic designer whose streamlined travel posters and typefaces shaped Art Deco commercial art.
Erté (Romain de Tirtoff)
Russian-French designer celebrated for elaborate Art Deco fashion and stage costume illustration.

Notable works

  • État Cabinet, Émile-Jacques Ruhlmann (1922) — Metropolitan Museum of Art, New York
  • Victoire (car mascot), René Lalique (1928) — Victoria and Albert Museum, London
  • Young Lady with Gloves, Tamara de Lempicka (1930) — Centre Pompidou, Paris
  • Chrysler Building, William Van Alen (1930) — New York City
  • American Progress murals, José María Sert (1937) — 30 Rockefeller Plaza, New York

The market

Tamara de Lempicka's Portrait de Marjorie Ferry (1932) sold for £16.2 million ($21.1 million) at Christie's London in February 2020, setting a new auction record for the artist and for Art Deco painting.

Tamara de Lempicka auction record
$21.1M — Christie's London, February 2020

More movements

Every Art Deco masterwork on ArtzFolio ∞ Infinity is recreated on archival, hand-finished canvas, numbered as a strictly limited Heirloom edition and built to be inherited — from ₹50,000, delivered across India with white-glove care.

Commission from Art Deco.