A Movement · 1910–1939
Art Deco
Skyscraper spires, sunburst motifs, and lacquered luxury: Art Deco was the sound of the Jazz Age rendered in chrome and ivory, a glamorous marriage of machine-age modernity and old-world craftsmanship that still defines glamour today.
The Deep Dive
Art Deco took shape in Paris in the 1910s as designers associated with the Société des Artistes Décorateurs pushed back against Art Nouveau's fading organic curves in favor of streamlined geometry, symmetry, and rich materials. The style was officially christened at the Exposition Internationale des Arts Décoratifs et Industriels Modernes, held in Paris from April to November 1925, which drew over sixteen million visitors to pavilions from twenty nations and gave the movement its later name — Art Deco, shortened decades afterward from the exhibition's title. Furniture designer Émile-Jacques Ruhlmann's exotic-wood cabinets, René Lalique's glasswork, Cartier's jewelry, and A.M. Cassandre's crisp travel posters translated Cubism, Futurism, ancient Egyptian and Aztec motifs, and the fast pace of the Jazz Age into a luxury vocabulary of chevrons, sunbursts, and stepped forms. The style crossed the Atlantic and reshaped American skylines, most spectacularly in William Van Alen's Chrysler Building (1930), with its stainless-steel sunburst crown, and found expression in ocean liners, cinemas, and consumer products from radios to cocktail shakers. As the Great Depression deepened, Art Deco grew more restrained and increasingly incorporated industrial materials like chrome and Bakelite; by the outbreak of World War II, wartime austerity and the rise of unadorned modernist architecture — championed by figures like Le Corbusier, whose stripped-down pavilion at the 1925 exposition anticipated the shift — had pushed the style into decline. Its glamour resurfaced in a major revival beginning in the 1960s and continues to shape design, film, and luxury branding today.
Defining characteristics
Timeline
Key artists
Notable works
- État Cabinet, Émile-Jacques Ruhlmann (1922) — Metropolitan Museum of Art, New York
- Victoire (car mascot), René Lalique (1928) — Victoria and Albert Museum, London
- Young Lady with Gloves, Tamara de Lempicka (1930) — Centre Pompidou, Paris
- Chrysler Building, William Van Alen (1930) — New York City
- American Progress murals, José María Sert (1937) — 30 Rockefeller Plaza, New York
The market
Tamara de Lempicka's Portrait de Marjorie Ferry (1932) sold for £16.2 million ($21.1 million) at Christie's London in February 2020, setting a new auction record for the artist and for Art Deco painting.
More movements
Every Art Deco masterwork on ArtzFolio ∞ Infinity is recreated on archival, hand-finished canvas, numbered as a strictly limited Heirloom edition and built to be inherited — from ₹50,000, delivered across India with white-glove care.