A Movement · 1919–1933

Bauhaus

Bauhaus fused art, craft, and industry into one radical philosophy of design — the conviction that a well-made chair could be as revolutionary as a painting, and that beauty belonged to everyday life, not just the elite.

The Deep Dive

Founded in 1919 in Weimar, Germany, when architect Walter Gropius merged the Grand-Ducal Saxon School of Arts and Crafts with the Weimar Academy of Fine Art, the Bauhaus set out to dissolve the old hierarchy separating fine art from craft and industry. Students passed through a foundational Vorkurs before specializing in workshops — weaving, metalwork, furniture, typography, mural painting — taught by masters including Johannes Itten, Wassily Kandinsky, Paul Klee, and László Moholy-Nagy. Emerging amid the political and economic turmoil of the Weimar Republic, the school reimagined design for the machine age, aiming to produce well-made, affordable objects for mass life rather than luxury goods for the few. In 1925, political pressure forced a relocation to Dessau, where Gropius designed the school's glass-curtained headquarters, itself a manifesto in steel and glass; the curriculum shifted toward "Art into Industry," partnering with manufacturers to license Bauhaus-designed lamps, textiles, and furniture. Leadership passed to Hannes Meyer in 1928 and Ludwig Mies van der Rohe in 1930, each navigating mounting Nazi hostility toward the school's internationalism and modernism. Forced to Berlin in 1932, the Bauhaus closed for good in 1933 under Gestapo pressure. Its faculty scattered across the globe — Gropius and Mies to Harvard and Chicago, Josef Albers to Black Mountain College — carrying its principles into American modernism and cementing the Bauhaus as the single most influential art and design school of the twentieth century.

Defining characteristics

Unification of fine art, craft, and industrial design within a single curriculumFoundational "Vorkurs" preliminary course stripping students of prior technique before specializationGeometric abstraction and reliance on primary colors and basic formsMachine-age aesthetic embracing new industrial materials like tubular steel and glassFunctionalist design philosophy summed up as "form follows function"Collaborative, workshop-based teaching combining masters and journeymenTypography favoring sans-serif type and asymmetric, grid-based layoutsDesign intended for mass production and affordable everyday use

Timeline

1919
Walter Gropius founds the Staatliches Bauhaus in Weimar, merging an arts-and-crafts school with the fine arts academy.
1920
The school opens with a foundational Vorkurs course designed to strip students of preconceptions before workshop specialization.
1923
Bauhaus adopts the slogan "Art into Industry"; László Moholy-Nagy replaces Johannes Itten as head of the preliminary course.
1925
Political pressure forces relocation to Dessau; Gropius designs the new Bauhaus Building, and Marcel Breuer designs the tubular-steel Wassily Chair.
1928
Gropius resigns as director; Hannes Meyer succeeds him and pushes the school toward standardized, socially minded design.
1930
Meyer is dismissed; Ludwig Mies van der Rohe becomes the third and final director.
1932
The Nazi-controlled Dessau city council forces the Bauhaus to close; it reopens briefly as a private school in Berlin.
1933
Mies van der Rohe formally dissolves the Bauhaus under Gestapo pressure.
1937
Moholy-Nagy founds the New Bauhaus in Chicago, carrying the school's pedagogy to the United States.
1996
The Bauhaus sites in Weimar and Dessau are inscribed as a UNESCO World Heritage Site.

Key artists

Walter Gropius
Founding director and architect who unified fine art, craft, and industrial design under one curriculum.
Johannes Itten
Ran the original Vorkurs preliminary course, emphasizing intuition, color theory, and personal expression.
László Moholy-Nagy
Succeeded Itten in 1923; pushed the school toward Constructivism, photography, and industrial technology.
Wassily Kandinsky
Taught color theory and led the mural painting workshop while developing his theories of abstraction.
Paul Klee
Taught in the weaving and glass-painting workshops; his lectures on form and color became foundational design texts.
Marcel Breuer
Head of the furniture workshop; designed the tubular-steel Wassily Chair, a landmark of modern furniture.
Marianne Brandt
Led design in the metal workshop; created industrially produced lamps and tableware, including the MT 49 teapot.
Anni Albers
Textile workshop weaver whose experimental fabrics helped define modern industrial textile design.

Notable works

  • Bauhaus Building, Dessau, Walter Gropius (1925–26) — Dessau, Germany (UNESCO World Heritage Site)
  • Club Chair, Model B3 ("Wassily Chair"), Marcel Breuer (c. 1925) — Museum of Modern Art, New York
  • Teapot, Marianne Brandt (1924) — Museum of Modern Art, New York
  • Yellow-Red-Blue, Wassily Kandinsky (1925) — Centre Pompidou, Paris
  • Tea Infuser and Strainer, Marianne Brandt (c. 1924) — The Metropolitan Museum of Art, New York

The market

Bauhaus-affiliated masters command strong prices at auction: Wassily Kandinsky, who led the Bauhaus mural-painting workshop from 1922 to 1933, set his own auction record when Murnau mit Kirche II sold for roughly $44.5 million (£37.2 million) at Sotheby's London in March 2023.

Kandinsky auction record (2023)
$44.5 million / £37.2 million

More movements

Every Bauhaus masterwork on ArtzFolio ∞ Infinity is recreated on archival, hand-finished canvas, numbered as a strictly limited Heirloom edition and built to be inherited — from ₹50,000, delivered across India with white-glove care.

Commission from Bauhaus.